Free Output Rev Reverse Loops A Comprehensive Guide To The 300Mb Sample Collection

Introduction

Output, the developer of the REV virtual instrument, has released a collection of free reverse loops that has garnered attention among music producers and audio enthusiasts. This substantial package of nearly 300MB of audio loops was created using Output's REV, recognized as the world's first reverse instrument suite. The free loops offer producers a diverse range of reverse textures suitable for multiple musical styles, making them a valuable resource for both seasoned professionals and aspiring musicians.

This article provides a comprehensive overview of Output's free reverse loops, including their technical specifications, download process, compatibility with various digital audio workstations (DAWs), and usage rights. Whether you're looking to expand your sound library with unique reverse textures or curious about the capabilities of the REV instrument, this guide will help you understand what's available and how to access these free resources.

What Are Output REV Reverse Loops?

Output REV Reverse Loops are a collection of audio samples created using Output's flagship virtual instrument REV. REV is described as "the world's first reverse instrument suite" that provides producers with a world of sound design based on reverse elements. Unlike a simple reverse button found in most DAWs, REV offers a comprehensive toolkit for creating and manipulating reverse sounds across multiple categories.

The free loop collection showcases the capabilities of REV by demonstrating the diverse range of sounds that can be generated through reverse processing. These loops aren't merely reversed audio clips; they are carefully crafted using REV's four specialized engines: Instruments, Timed Instruments, Loops, and Rises. Each engine contributes different characteristics to the final sounds, resulting in a versatile collection that can be applied across various genres and production styles.

The reverse effects featured in these loops create unique sonic textures that can add depth, movement, and interest to musical productions. Reverse sounds have long been used in music production for creating risers, falls, and atmospheric effects, making this collection particularly valuable for producers working in electronic music, film scoring, sound design, and any genre where innovative textures are desired.

Technical Details and File Formats

The Output REV Reverse Loops package is provided in multiple file formats to ensure compatibility with a wide range of digital audio workstations and samplers. This attention to format variety demonstrates Output's commitment to making these samples accessible to as many producers as possible, regardless of their preferred production environment.

The package includes the following file formats:

• WAV (Waveform Audio File Format): The most universally compatible audio format, ensuring the loops can be imported into virtually any DAW or sampler. The WAV files in this collection are 24-bit, providing high-quality audio resolution.

• Apple Loops: Specifically formatted for Apple's GarageBand and Logic Pro, these files include metadata that allows them to automatically match the tempo of your project.

• Kontakt (NKI): Native Instruments Kontakt format files that provide an instrument patch compatible with the full version of Kontakt (version 5.1 or later). These patches allow for tempo synchronization and additional sound manipulation.

• REX2: Propellerhead Reason's proprietary loop format that enables slicing and tempo matching within Reason's environment.

The availability of multiple formats means producers can use these loops in their preferred workflow without needing to convert files or compromise on functionality. The inclusion of both high-quality WAV files and specialized instrument patches provides flexibility for different production needs.

Loop Categories and Content

The Output REV Reverse Loops package is thoughtfully organized into five distinct categories, each offering different sonic characteristics that can serve various creative purposes. This categorization helps producers quickly locate sounds suited to their specific needs and simplifies the creative process.

The five categories included in the collection are:

1. Aggressive: These loops feature intense, powerful reverse sounds with substantial impact. They are well-suited for builds, drops, and sections requiring high energy and intensity. The aggressive nature of these loops makes them particularly valuable for electronic music genres such as dubstep, trap, and industrial.

2. High Electronic: Focused on bright, cutting-edge electronic textures, this category contains loops with prominent high-frequency content. These sounds work well for melodic elements, atmospheric layers, and sections requiring clarity and presence in the upper frequency range.

3. Low Electronic: Comprising bass-heavy and sub-frequency reverse sounds, this category provides substantial low-end content. These loops are ideal for adding depth and weight to productions, particularly in genres where the low frequency range is crucial, such as hip-hop, EDM, and ambient music.

4. Organic: This category features reverse sounds derived from acoustic instruments and natural sources. These loops bring a human, natural element to electronic productions and can add warmth and texture to otherwise synthetic-sounding tracks. They are particularly effective in film scoring, ambient music, and experimental genres.

5. Percussive: Containing rhythmic reverse elements, this category offers loops that can function as percussive elements or be layered with existing drum patterns. The percussive loops in the collection have been noted for their "fresh and inspirational" qualities, making them valuable for both creative inspiration and practical application in drum programming.

Each category contains multiple loops, providing producers with a substantial variety of sounds to work with. The total collection includes 50 audio loops, ensuring there's adequate material for experimentation and incorporation into productions. The diversity within these categories makes the collection suitable for a wide range of musical applications and production styles.

How to Download the Free Loops

Obtaining the Output REV Reverse Loops is a straightforward process, though it does require providing a valid email address. This requirement serves two purposes: it allows Output to deliver the download link directly to users and automatically subscribes them to the Output email newsletter, which provides updates on new products, promotions, and industry news.

The download process can be summarized in the following steps:

1. Visit the official Output website at the designated free loops page (outputsounds.com/freeloops).
2. Enter your email address in the provided sign-up form.
3. Submit the form and check your email inbox for a download link.
4. Click the download link to receive the ZIP archive containing the loops.
5. Extract the contents of the ZIP archive to access the individual files in their respective folders.

The download package has a file size of approximately 277-300MB, depending on the source, and is delivered as a ZIP archive. Upon extraction, users will find the loops organized by category in separate folders, along with the various format files (WAV, Apple Loops, NKI, REX2).

It's worth noting that while the loops can be used without owning the REV virtual instrument, having REV would provide additional capabilities for further sound design and manipulation. The free loops effectively serve as both a useful resource for producers and a demonstration of REV's capabilities.

System Requirements and Compatibility

One of the advantages of the Output REV Reverse Loops is their broad compatibility with various digital audio workstations and production environments. The multiple file formats included ensure that producers can use these loops regardless of their preferred software or workflow.

For the WAV files, no specialized software is required beyond a standard DAW that supports WAV import. Nearly all modern DAWs, including Ableton Live, FL Studio, Pro Tools, Studio One, and others, can import and manipulate WAV files without any issues.

The Apple Loops format is compatible with Apple's GarageBand and Logic Pro. These files will automatically conform to the project tempo in compatible hosts, providing seamless integration for Mac-based producers using Apple's music production software.

The NKI (Kontakt) format requires Native Instruments Kontakt (version 5.1 or later) or the free Kontakt Player. While the full version of Kontakt provides the most flexibility for manipulating the sounds, the Kontakt Player can also load these instrument patches, though with some limitations on advanced features.

The REX2 format is compatible with Propellerhead Reason and ReCycle, as well as other DAWs that support REX2 import through plugins or built-in functionality. These files maintain their time-stretching and slicing capabilities when used in compatible environments.

In terms of system requirements, the WAV files can be used on any computer capable of running audio production software. The instrument patches (NKI and REX2) may have slightly higher system requirements, particularly if additional effects or processing is applied within the host environment.

Overall, the wide range of formats ensures that these loops can be integrated into virtually any production workflow, making them accessible to a broad audience of music producers regardless of their preferred tools or platforms.

REV Instrument Overview

To fully appreciate the Output REV Reverse Loops, it's helpful to understand the instrument they were created with: REV. REV is Output's flagship virtual instrument that focuses exclusively on reverse sound design, offering a comprehensive toolkit for creating and manipulating reverse audio.

REV is organized around four powerful engines, each serving a different purpose in the reverse sound creation process:

1. Instruments: This engine contains playable instruments that can be triggered via MIDI. These include complex synths, real instruments recorded in reverse, and multi-layered pads. All instruments can be played in reverse or in real-time, providing extensive creative possibilities.

2. Timed Instruments: Similar to the Instruments engine, but with built-in timing and synchronization features. These sounds are designed to lock to tempo automatically, making them ideal for rhythmic applications and precise timing in productions.

3. Loops: This engine focuses on looped reverse sounds, including rhythmic elements, textures, and evolving patterns. The loops in this engine are specifically designed for seamless looping and can be synchronized to project tempo.

4. Rises: This engine contains sounds that build in intensity, perfect for creating tension and anticipation in music. These reverse rises can be used as transition effects, build-ups, or to add dramatic impact to productions.

REV contains over 1,000 presets that cover a wide range of reverse sounds, from subtle textures to dramatic effects. All sounds in REV can be locked to tempo, with options for whole note, half note, or quarter note duration. This tempo-locking capability ensures that reverse elements integrate seamlessly into time-based productions.

The instrument has received critical acclaim, with over 20 glowing reviews from notable magazines and blogs. It has been consistently described as "inspiring" and "creative" by industry professionals. As one reviewer noted, "What an extraordinary library it has turned out to be… honestly there's nothing I can find fault with."

For producers interested in reverse sound design, REV offers a comprehensive toolkit that goes beyond simple audio reversal. The free loop collection effectively demonstrates the potential of this instrument, serving both as a useful resource and a compelling demonstration of REV's capabilities.

Usage Rights and Licensing

The Output REV Reverse Loops are provided to users free of charge, but they are subject to certain usage rights and licensing terms. Understanding these terms is important for producers to ensure they use the loops appropriately in their projects.

According to the information provided, the free loops can be used for both commercial and non-commercial purposes. This means producers can incorporate these sounds into their music productions, even for commercial releases, without needing to pay additional licensing fees.

The loops are provided on a royalty-free basis, which means users do not need to pay royalties for each use or for distribution of music containing these samples. This royalty-free status makes them particularly valuable for independent producers and small studios working with limited budgets.

However, the specific terms of use should be reviewed in detail, as they may include certain restrictions or requirements. For example, some free sample packs may require attribution to the creator or prohibit the resale of the samples as standalone content. Producers should familiarize themselves with the complete terms and conditions provided by Output to ensure compliance.

Additionally, while the Output REV Reverse Loops themselves are free, the terms may differ for other loop collections available on third-party platforms. For instance, the user-generated content on platforms like Looperman may have different licensing terms specified by the individual creators of those samples.

It's worth noting that while the Output REV Reverse Loops can be used without owning the REV instrument, producers who do own REV will have additional capabilities for further sound design and manipulation of these loops.

Conclusion

The Output REV Reverse Loops represent an excellent resource for music producers seeking high-quality reverse textures for their productions. This comprehensive collection of 50 loops, spanning five distinct categories (Aggressive, High Electronic, Low Electronic, Organic, and Percussive), offers a diverse range of sounds suitable for various musical styles and applications.

The availability of multiple file formats (WAV, Apple Loops, Kontakt, and REX2) ensures broad compatibility with different digital audio workstations and production environments. The inclusion of both high-quality WAV files and specialized instrument patches provides flexibility for different production needs and workflows.

The straightforward download process, requiring only an email address in exchange for the 277-300MB package, makes these loops easily accessible to producers. While the email subscription to Output's newsletter is automatic as part of the download process, this also ensures users stay informed about new products and promotions from the company.

The loops effectively demonstrate the capabilities of Output's REV virtual instrument, which focuses on reverse sound design through its four specialized engines: Instruments, Timed Instruments, Loops, and Rises. For producers interested in exploring reverse sounds further, these free loops serve both as a practical resource and an introduction to REV's potential.

With royalty-free usage rights allowing for both commercial and non-commercial applications, the Output REV Reverse Loops offer significant value to producers at all levels. Whether used for inspiration, as textural elements, or as rhythmic components, these reverse loops can add unique sonic characteristics to a wide range of musical productions.

Sources

1. Sound On Sound - Output Release Free Reverse Loops
2. Rekkerd - Output Releases Free Loops Made with REV
3. Bedroom Producers Blog - Free Reverse Loops
4. Audio Bazooka - Output REV Free Loops
5. Looperman - Free REV Loops
6. Audio Engineering - Free Reverse Loops Made with REV